I use a collage methodology in my moving-image work, combining original, created components (shot film, recorded performance, painting and writing) with found elements, including archival material, field recordings and text. Recorded performance is also central to this work, drawing on the embodied, gendered, socially-understood yet ‘natural’ forms in which we live – questioning the narratives that we might understand ourselves and be understood by.
cosima c cobley carr 